Waiting for Godot

By MIRA REINBERG Audiences and readers of Samuel Beckett have long since become aware that of all the different nuances that the playwright attributed to the meaning of responsibility, Beckett has never deemed it his task to attenuate the gravity with which he beheld life. He doled out his views of the absurdities and ruthlessness…

The Return of King Idomeneo

by SOPHIE KERMAN No matter how busy your summer may be, you certainly have 90 minutes on a weekend to sit outside in a beautiful garden, eat tasty snacks, and watch a highly entertaining, impressively executed operetta. “But,” you whine, “I just don’t get opera!” With its adaptation of The Return of King Idomeneo, which integrates…

The Tempest

by MIRA REINBERG Nature smiled upon Public Dreams Theatre’s opening of The Tempest and the pastoral scene at Matthews Park in Minneapolis was not suggestive of the stormy intrigue of sorcery and vengeance that was to follow. Nor was there any set on the grass awaiting the audience with allusions to a tale of shipwreck…