By MIRA REINBERG The year 1800, when Schiller (the German poet, playwright, and philosopher) published his play Mary Stuart, was one moment in a formidable transformation in European aesthetic understanding.The conception of history was turning away from the rational terms of Enlightenment philosophy whereby art strives to be a true representation of life, to an…
By MIRA REINBERG In a most propitious timing, Open Window Theatre hosted Argentinean tango singer Claudia Pannone for a two-night performance at their venue in the Metropolitan Minneapolis Building. Claudia Pannone brought alive the sensuous and melancholy music of lyric tango with her deep, expressive voice and infused the January evening with the warmth and…
By MIRA REINBERG Even for those of us who are not devotees of Emily Dickinson, the life and consciousness of the poet remain a fascinating riddle. The historical period in which she lived – mid- to late nineteenth-century – was able to offer abundant documentation in the form of recorded accounts and letters, archived publications,…
By MIRA REINBERG France in the eighteenth century was a hothouse for philosophical investigation and scientific inquiry. But in order to cultivate the mind and reap the benefits of the explosive intellectual environment of the age of Enlightenment, one would have to be of an origin that granted a title or wealth, preferably both. Certainly…
By guest reviewer YONATAN REINBERG The all-male cast in The Shadow Company’s performance of Gross Indecency: The Three Trials of Oscar Wilde, by playwright Moisés Kaufman, play a variety of characters from prostitutes to queens, lovers to judges, press to persecutors. As the clever plot device played by a rascally professor makes clear, however, the…
By MIRA REINBERG From the first words he pronounces, Sidney Bruhl (Steve Hendrickson) delivers such clever lines in Deathtrap that it is somewhat curious he should be the frustrated mystery playwright that he is. And frustrated he is at the writer’s block afflicting him, even if the obstruction to his creativity is alleviated by the…
By Mira Reinberg Propeller, an all-male London-based Shakespeare company, burst on the stage at the Guthrie Theatre with a revived production of The Taming of the Shrew, and gave the audience a taste of Elizabethan theatricality: a performance that fuses physical action, linguistic sparkle, and arresting story into a spectacle of colorful éclat. And did…
By MIRA REINBERG As spectators of television or theater we are lured by the sheer possibilities of delectation that are accessible to the very rich, even as we scoff at the disproportionate luxury surrounding them and ridicule their lifestyle of pampered oblivion. Molly Smith Metzler’s “class war” play, Elemeno Pea, inserts us into the emblematic…
By Mira Reinberg How do words determine action? Even more fascinatingly, how do words perform the effect that will determine fatal action? Greek tragedy embodied the poetic quest to articulate the relation between words and performance in order to help us, humans that we are, explain a reality that is unexplainable through language. Here is…
By MIRA REINBERG That the twenty-first century, and even the election of Barack Obama, have not ushered in a true “post-racial” consciousness within American society is a topic still in need of serious debate. In her play Buzzer, which opened on Friday at The Guthrie, playwright Tracey Scott Wilson contends that in fact the question…
Aisle Say - Twin Cities 