by MICHAEL J. OPPERMAN When I heard oohs and ahs from my nine year old daughter sitting next to me, I knew that Circus Juventas had mounted yet another wonderful production. The entire experience is compelling, and it starts before one even enters the Big Top. The grounds are beautifully manicured and foster a feeling…
Staging portrait of myself as my father at the Uppercut Boxing Gym is the first indication that the performance will be unconventional. The gym lives in a renovated warehouse in the Northeast area of Minneapolis and carries the faint smells of oil, sawdust and sweat. The boxing ring was blocked from view on entry, the audience…
Inviting Writers & Actors for Spontaneous Productions Event on April 20th Spontaneous Productions is a new performance collective staging an interactive event at Off-Leash Art Box. Committed to creating experiences of immediacy, the collective has structured the event to be part writing and part acting. Writers are invited to generate short solo performances pieces from…
by MICHAEL J. OPPERMAN For 25 years, the Ordway has been bringing contemporary performing artists from around the world to Minnesota through the Target® World Music & Dance Series. Since the initiative began in 1991, more than 900,000 P-12 students have attended performances. Thousands more have attended public performances, participated in workshops, and experienced pre-show…
by MICHAEL J. OPPERMAN The musical Bullets Over Broadway, an adaptation of the Woody Allen movie of 1994, is a crowd pleaser. The movie script was nominated for an Oscar, and this production features original direction and choreography by multi-Tony award winner Susan Stroman (also known for her work on The Producers). The production has…
by MICHAEL J. OPPERMAN The Minnesota Opera’s production of Tosca included drama that is usually reserved for the opera itself. Only a few days before opening night, Hungarian soprano Csilla Boross backed out of the role of Tosca for “personal reasons.” Kelly Kaduce stepped in, having sung the part only once professionally (for the Houston…
by MICHAEL J. OPPERMAN For 25 years, the Ordway has been bringing contemporary performing artists from around the world to Minnesota through the Target® World Music & Dance Series. Since the initiative began in 1991, more than 900,000 P-12 students have attended performances. Thousands more have attended public performances, participated in workshops, and experienced pre-show…
by MICHAEL J. OPPERMAN Richard Strauss’ Ariadne auf Naxos is an oddball opera, and requires a deft hand to stage. Understanding its conception helps provide some context for the compositional and constitutional strangeness. The opera was originally conceived as a thirty-minute divertissement intended to be performed at the end of a Molière adaptation. The opera ended…
by MICHAEL J. OPPERMAN “A little glitter can turn your whole day around,” according to Junie B. Jones. And so can a children’s musical this good. Artistic Director Sandy Boren-Barrett and Director Cody R. Braudt have staged a whimsical, joyful production of the (in)famous Junie B. Jones’ experiences in 1st grade. Stages Theatre Company was…
by MICHAEL J. OPPERMAN Act I opens on a piazza floating in a bucolic Italian countryside. As idyllic as a scene from a Sophia Loren movie. Field workers and townspeople move around the square. We see our first glimpse of Nemorino (Leonardo Capalbo), the erstwhile hero of the story. Expressive and charismatic, Capalbo wanders the…
Aisle Say - Twin Cities 