These are the Men

Walking into the Southern Theater to see a retelling of a story first performed on stage over two millennia ago is a wonderful experience. The contrast of the exposed modern lighting and minimalist set pieces to the beautiful, century-old proscenium arch is a fantastic metaphor for the show itself, blending old and new. These are the Men is a…

Q and A with Aisle Say Twin Cities’ Founders Sophie Kerman and Anna Rosensweig: A Farewell Tribute and Virtual Legacy

BY CHRISTINE SARKES SASSEVILLE Recently, Aisle Say Twin Cities lost the second of its two founding members as life pulled them in different directions. Sophie Kerman announced that she was moving on in her last post, a review of the Ivey Awards. Anna Rosensweig left us in 2012 to complete her Ph.D. and begin postdoctoral…

Leaves

by LIZ BYRON At first glance, Leaves might seem like a confusing mishmash that could go very wrong. Finding its inspiration in the poetry of American great Walt Whitman, and borrowing large swaths of his work, the people of Savage Umbrella have created a play that is part drama, part music, part poetry, moving back and forth between Whitman’s words and…

Emma Woodhouse Is Not A Bitch

by CHRISTINE SARKES SASSEVILLE For Jane Austen fans and readers of her romantic novel, Emma, the central challenge is to overcome your distaste for Emma’s patronizing, meddling matchmaking in order to understand the onerous class distinctions that characterized everyday interactions between neighbors, family members and friends in the early 1800s. For local playwrights, Savage Umbrella’s  Laura Leffler-McCabe and…

Care Enough

by SOPHIE KERMAN The program for Savage Umbrella’s latest production, Care Enough, cites quotes from Vaclav Havel, John Berger, Susan Sontag, and Cat Power (among others) as the play’s inspiration. If that does not immediately seem like a red flag to you, let me explain why it should. Works like Susan Sontag’s “Regarding the Pain of Others”…