BY TAMAR NEUMANN: Every once in a while I see a Shakespeare play that completely redefines the way I think about a particular play. It doesn’t happen often. I happen to see quite a bit of Shakespeare and I’ve been blessed with the opportunity to see some of the world’s best acting companies perform it. I’ve…
BY CHRISTINE SARKES SASSEVILLE Recently, Aisle Say Twin Cities lost the second of its two founding members as life pulled them in different directions. Sophie Kerman announced that she was moving on in her last post, a review of the Ivey Awards. Anna Rosensweig left us in 2012 to complete her Ph.D. and begin postdoctoral…
By Mira Reinberg How do words determine action? Even more fascinatingly, how do words perform the effect that will determine fatal action? Greek tragedy embodied the poetic quest to articulate the relation between words and performance in order to help us, humans that we are, explain a reality that is unexplainable through language. Here is…
by CHRISTINE SARKES SASSEVILLE Fairy tale adventures, good versus evil and self-empowerment are the allegorical threads woven into local playwright Kira Obolensky’s Vasa Lisa, a highly entertaining play presented by Ten Thousand Things Theater at the Open Book (8:00 p.m. every Fri., Sat. from May 4 until May 13). Just in time for Mother’s Day, the play ultimately celebrates…
by ANNA ROSENSWEIG It’s easy to forget just how many common English expressions and turns of phrase come from Shakespeare’s plays. One of the pleasures of hearing his plays performed today is noticing these expressions and situating them in their Shakespearean contexts. Take As You Like It. We’re all familiar with the famous declaration “All…
By ANNA ROSENSWEIG To sit in a Ten Thousand Things audience is to become part of the show. The company performs in small, often unconventional spaces that make boundaries between actors and audience thin and porous. What’s more, Ten Thousand Things performs in the round and keeps the house lights on, so that the actors…
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